A Snow Book - All finished and Just Perfect!

I'm so pleased with how this one turned out because I think it really takes advantage of the lovely materials I had to work with. It only opens just half past-way, so not truly a star book, but it works on this one.

Yet another type of white paper for the cover, but with a blue silk spine so that it's not too boring. I only had very thin white ribbon, so I put three on either side, with is just the detail it needed. Happy accident! Speaking of accident, there was a tiny bit of pen on the other side that ran when the glue got wet, opps! Good thing it's blue, so it's not so bad (I hope!). Anyway, you aren't supposed to look of the cover, you're supposed to put it on display:

A Snow Book - first layer

Here's a scan of the calligraphy. I'm afraid you'll just have to take my word for it that it looks much nicer in real life. I can't seem to get a good photo.

And here is the first layer finished and folded.

A Snow Book - second pass

The writing turned out to be just too light, so I went over it again. Having two layers gives it a kind of ephemeral quality that works very nicely. I did have a bit of a typo, though, on the last word, and even though I've scraped and erased most of it, you can still kind of tell (the problem with doing an all-white book!), so I'm going to do a few more layers of text to blend it in, which should also heighten the feeling as well. I think I may do that before I finish off the cut-outs I've started there on the side.

A Snow Book

When I was looking for paper for my He Wishes for the Cloths of Heaven project I wanted some very nice, light, holey paper to go behind the calligraphy layer. I never did find anything suitable (which is fine, turns out I wouldn't have had room anyway for it), but I did find two lovely pieces that fit the description in white.

I'm not sure if you can see the second one very well. It's semi-transparent mulberry paper with little gold flecks in it.

This got me thinking that I should find a nice snow-related poem or quote to make into a book. It was kind of confusing trying to find something short of in the public domain like that just on Google, but eventually I found the University of Toronto's online library, where they had a list of 19th century Canadian poets. Only it couldn't be searched by subject, only author! I didn't want to go through every single one until I found something, but I underestimated how much we write about winter. Almost every poet listed had one, and I soon had a big stack I liked to choose from. I eventually did a bit of extra research on one of the poets, and found this one:

The Frosted Pane
Charles G. D. Roberts (1860-1943)

One night came Winter noiselessly, and leaned

Against my window-pane.

In the deep stillness of his heart convened

The ghosts of all his slain.

Leaves, and ephemera, and stars of earth,

And fugitives of grass, --

White spirits loosed from bonds of mortal birth,

He drew them on the glass.

I'm going to make a star book, only I'm going to try and ignore the different divisions of the pages, and try something a little different and off-centre.

Here is the calligraphy. It's very faint on purpose, so I'll have to figure out a better way to photograph it. It's just my handwriting. I'm sticking with a bit of a casual feel. Plus I'm feeling just too lazy to practice for hours and do it formally! Which wouldn't be as nice with the poem anyway, I think. Well... we'll stick with that explanation. Once this is dry and ready for the lines to be erased I'm going to make large sections of cut-outs in snow/frost type patterns. I can't make them quite as big as I was planning because the writing took up more room, so they may end up kind of meandering all over instead of being in nice rectangular (window-like) areas. But that will be fine, I think. If anyone asks I had it all planned out from the start.

How Do You Find Anything in That Mess?

This was my studio. Yikes! I couldn't find some paper, go figure, so it was time to shift everything out to the tv room, sort it, toss it, and put the good stuff back. I got an accordion folder and now all my paper is even in sorted by colour. I didn't just find my paper (at last), I also found:

4 half-finished canvases
A cheque for $157
An extremely large dead spider
Enough fabric scraps to fill an entire black garbage bag
Several finished drawings I'd been missing for about 5 years
A whole lot of broken glass, which is puzzling and a little disturbing since I'm always barefoot
Two sheets of extra mat board
Notes for a funny tv show a co-worker and I created when we were bored one day
About 10 pads of small note-paper and even more in post-it notes

This is the after. I don't know if the photo really lets you see just how much cleaner it is, but I got rid of a giant garbage bag, a giant box of recycling, moved all the finished painting (now the rest of the basement needs some sorting), moved all the photos/cards/books to my writing desk, and organized everything else into baskets so I can find it. Now the only thing left on the art desk is what I'm actually working on. And now might be able to finish!

You've Got a Fast Car

This book was a special request by the person who owns the gift shop in the Hotel Sask. He loves Tracey Chapman's "You've Got a Fast Car" so that's what the calligraphy is. Other than that he didn't say what he wanted, so I just went with it. The song is kind of dark, hence the black. He seemed to like the books that had suede lace to tie them, so that's what I used.

I had just enough black to cover the inside, then I tore it wrong! But in the end I like the extra colour of the tan, it was getting a bit depressing.

Purple Leftovers

I really like these books that use up my extra bits of leather. Not just because I save on supplies, but I just think they look really cool with the different colours and stitching. I didn't have enough purple to make a full half cover, so instead I used it as the closing strap in the middle, and to wrap around the front to cover the open pages (because I didn't have enough yellow for that either!).

View from the back.
Marbled paper inside to set off the colours.